Cumberland Arts Commission City Hall Council Chambers March 7, 2025 4pm This is a special meeting called to review a mural presented to Historic Preservation Commission Historic Preservation commission will go. first followed by Cumberland Arts Commission Agenda Call to Order Certificate of Appropriateness 100 Baltimore St. COA24-000010 (mural facing N. Centre St.) Applicant: Jim Weir (Building Owner) & Elijah Thane (Artist) 100 Baltimore St. COA24-000010 (mural facing Baltimore St.) Applicant: Jim Weir (Building Owner) & Elijah Thane (Artist) Adjournment 3/6/25, 10:33. AM Permit Details Citizenserve City of Cumberland - Dept. of Community Development Internal Routing. Sheet Permit or Review #: COA25-000010 Permit or Review Type: Certificate of Appropriateness Project Location: 100 BALTIMORE ST CUMBERLAND, MD 21502 Applicant Contact Information: Name: James Weir Address: 100 Baltimore St City/State/Zip: Cumberland MD 21502 Phone: 3017777277 Email: coumegti@atimcant Contractor Contact Information: Company Name: Zachary Construction and Welding Services, LLC Contact: Address: 11910 Homewood Street NW City/State/Zip: Cumberland MD 21502 Phone: 3043034525 Email: conwelding@gmail.com Date of 03/05/2025 Application: Work Description: (narrative box) Mural of the Liberty Personified painted on aluminum panels and installed with anchors on brick wall. Façes Centre Street Amount Paid: 30.00 Amount Due: 0.00 "w--ss--w.-wwoN. 1/1 City of Cumberland DA Administrative Review D HP Commission Review Department of Community Development - 57 N. Liberty Street . Cumberland, MD 21502 . Ruth Davis Rogers, Historic Preservation Planner . 301-759-6431 ruth dargemnaumbaimamdgw www.cumberlandmdgoy CERTIFICATE OF APPROPRIATENESS PERMIT APPLICATION AND/OR REQUEST FOR CHANGE AMENDMENT RELATED TO AN EARLIER COA (WITHIN 2 This application is required for ALL exterior work on properties that are located within the Canal Place Preservation District YEARS) zoned historic district). The application will be reviewed by the Historic Preservation Commission. Examples include additions, (Cumberland's locally roofs, doors, painting, porches, fences, siding, signage, window replacement, demolition, and new construction. Please note that alterations, awnings, to separately submit this form if you are entering your request through the City of Cumberland's Online Permit you do not need Portal - accessed at - If you do not already have a portal account, you- will need to create one use the same account for anyi future permit/review applications, rental licenses, and pavilion reservations. andi then please Project Address: loo Deltimort Stret Tax ID # 14- - The Tax ID: # can be found ony your tax bill or 004173 search function to: select your property account by visiting number. www.datstate.mdus/ When construction is / Real Property / Real Property Search. If you are using the permit portal, your may use the under the account of the main structure referencing other accounts (or a separate being permit done and will be several required property each account numbers arei involved, permit must bee entered per property ofr record). COA # 25-000010 RCA # Application Date 3-5-2025 Applicant Name JM Weir Phone 301-777-7277 Applicant Address (if different than project address) 100 DalImart Srut Fax Email a wOOM gifise aHantrc! bon.net Contractor Name (lIf applicable). Zachery Constrckon Phon-3ow-3oa-s15 Contractor Address 4910 HoMe wood 5+ Nw (unberlesck Email Summarized Description of Project (please add extra pages, if needed). Mdncl SP Liberhy personEd Pacins E Cenkr Siret ard Libet Shret. Non - Dermanent Ao domase +o bu-lding. Attach a full written scope of work Use reverse side or attach additional pages, if needed * Attach photographs of the site and structure As it pertains to the application/project scope of work, include the following and consult with HPC staff if you require assistance (please note that all of the following might not pertain to your application): Façade Elevations Digital Renderings, when available Sample of Proposed Materials Color Scheme/Paint Chips Scaled Drawings Manufacturer's Cut-Sheets or Product Specifications Provide one (1) complete original copy of all supplementary materials (in hardcopy if applying in person; upload digitally if using the portal). Paya non-refundable Certificate of Appropriateness review fee of $30.00 - payable at time of application either in person or online. Apply for any relevant Building, Sign, and Occupancy Permits through the City (fees apply) The HPC meets the second Wednesday of each month and complete applications are due the first Wednesday of each month before 4:00 p.m. You (or a representative) are required to attend the meeting scheduled for your COA review. Preservation Guidelines can be found on the City of Cumberland website at wwwcumberlandmdgol. to Historic Navigate Preservation Commission and then to Revised Guidelines. To apply online go to dlisemsemecon/camberiand An HPC brochure is available Do not begin work until written approval is received from HPC: Staff, and; if the project requires additional building, sign, or occupancy permits, all applicable permits must also have been applied for separately and then the approved by Code Compliance Manager or designated representative. Scope of Work A large historic mural will be installed using aluminum panels drilled into the mortar of the wall. No damage to facade will be done. Mural is non permanent and completely removable. The paint used is the highest quality exterior paint: mold proof, scuff proof, weather resistant, fade resistant, and uv protected. The proposed work is entirely appropriate. This is a project previously requested by the Allegany arts council, and has been in planning for many years. The artist Elijah Thane was handpicked for fulfillment of this project due to his outstanding reputation as a professional artist and unmatched quality of work. Awesome GIFTS 83 COLLECTIBLES COINS . STAMPS To whom it may concern. IJames Weir on the 5th. Day of March 2025 give my permission to Elijah Thane to paint any part or all ofthe building that I own at 100 Baltimore Street Cumberland, Md. I also give my permission to Elijah Thane to vote on my behalf on any thing pertaining to painting on 100 Baltimore Street. 1/ nt A No 1 1g6. ranl 3 OECID a BLAVECEI VAEPArS Ahr r - dh V Mn /5 9 a 1a1 8 6 E Certificate of Appropriateness Application Presentation of Information/Staff Report COMMI S1o By Ruth Davis - Rogers Congress established the National Historic Preservation Act (NHPA) in 1966, which mandates the active use of historic buildings for public benefit and to preserve our national heritage. Cultural resources, as identified in the National Register of Historic Places, include buildings, archeological sites, structures, objects, and historic districts. The surrounding landscape is often an integral part of a historic, property. Not only can significant archaeological remains be destroyed during the course of construction, but the landscape, designed or natural, may be irreparably damaged, and caution is advised whenever major physical intervention is required in an extant building or landscape. COA25-000010 Address: 100 Baltimore Street (Mural of Lady Liberty Facing N. Centre Street) Project Contact: Building Owner, Jim Weir Artist, Elijah Thane Project Summary: This project involves the installing a large painted L shaped mural (25' x 60' and 16' X 20") on aluminum panels attached to the exterior brick wall, on the side of the building facing N. Centre st., with anchors mounted/drilled into mortar. This type of installation is to allow panels to be removable and not allow damage to the building (see attached pictures and scope of work). Property Description: This building is located in the Downtown Cumberland Historic District, on Baltimore Street. This District is listed on the National Register of Historic Places and, in addition to being recognized at the Federal level, is also recognized as a historic district by the State of Maryland and the City of Cumberland. Baltimore Street is the heart of Cumberland and gains its significance from both its architecture and the history of its commercial development. Architecture is art for the masses. The collection of these downtown buildings consist of a broad array of significant architectural styles dating from 1840's - 1970's. 100 Baltimore St. is one of Cumberland's early mid-century modern commercial buildings, built in 1960 (by Leon Levitz of the Levitz Furniture empire), and contributes to the historic downtown district. Its design tells the story of our changing downtown and the dedication of building owners to keep it up to date and current with modern times. Staff Summary: For decades, Baltimore Street was a vibrant hub of commerce, attracting shoppers, residents, and day-trippers to Downtown Cumberland. In November 2024 this historic street celebrated its grand reopening following an extensive two-year, 17-million-dollar, renovation. The project now features broader sidewalks, added green spaces, and a reintroduction of vehicle and bicycle traffic. This redesign signifies a major milestone in Cumberland's continuing revitalization efforts aimed at boosting business investment and fostering new growth in the area. Facades are a crucial element to consider when making changes to buildings within a historic district, as they represent the primary visual face of a building and significantly contribute to the overall aesthetic and character of the neighborhood. While William Cochrane, the designer of the Baltimore Street Redevelopment Project, advised for a mural to be placed on the N. Centre Street side of 100 Baltimore Street, he recommended a "quiet" mural to blend in with the streetscape he designed Understanding Mid-century Modern Design. The traditional storefront on the archetypal American "Main Street" changed dramatically during the 20th century due to innovations in building construction and retail marketing. The architectural style of this time period is known as Mid-Century Modern. Designers embraced the optimistic spirit of the time, experimenting with the newest technologies and materials in building, and incorporating "futuristic" elements. Mid-century Modern design used sleek, simplified geometry and nonsymmetrical and angular planes. Because designers of this time period were focused on the use of new, modern technologies and looking towards the future, the Mid- century Modern style is completely distinct from earlier styles more traditionally thought of as historic. As a result, this style has often been under-appreciated and overlooked, and many fine examples have been altered or destroyed. Now, the Mid-century Modern style is increasingly being recognized as unique, innovative, and emblematic of its own time. Mid-century Modern design is characterized by smooth, simple geometry and intersecting angular planes. While architecture of earlier eras tended to use small, embellished details, modern design favored large, smooth surfaces and sharp angles. Materials used in Mid-century Modern facades were typically modular. Mid-century design embraced elements that could be pre-fabricated and assembled on site, such as bricks, curtain walls and tiles. These modular materials add another layer of geometry to the design of facades. Mid-century Modern storefronts are usually asymmetrical, with angled walls guiding the visitor towards the entrance. While storefronts of earlier eras tended to have a central entrance with symmetrical windows on each side, modern storefronts usually have an entrance placed asymmetrically with large windows that allowed pedestrians a full view into the store Applicable Guidelines this Recommendation is Based Upon: City of Cumberland Code 25-302 (Powers and Duties of Historic Preservation Commission) The commission shall adopt rehabilitation and new construction design guidelines for designated landmarks, sites, structures, and districts which are consistent with the Secretary of the Interior's Standards for Rehabilitation. Guidelines may include design characteristics intended to meet the needs of particular types of sites, structures, and districts, and may identify categories of changes that areso minimal in nature that they do not affect historic, archeological, or architectural significance and require no review by the commission. These guidelines shall be utilized by the commission in its review of applications. City of Cumberland Historic Preservation Design Guidelines These guidelines are based upon the spirit of and influenced by the Secretary of the Interior Standards for Treatment of Historic Properties Mtp//wwwpsowV/P.dnd/vasmamentguideines20iZpar Identifying, retaining, and preserving storefronts, and their functional and decorative features, is important in defining the overall historic character of the building. GUIDELINE 7: The historic material found on the exterior walls of a building is a character-defining feature and should preserved, maintained, repaired, rehabilitated and restored whenever feasible. GUIDELINE 37: Maintain and restore those features which characterize commercial buildings, including historic storefronts, transoms, sign boards, kick plates, upper. story windows, cornices, and overall ornamentation. b. Do not add arbitrary ornamentation that was not part of the historic design or early alterations of the building. William Cochrane's Public Art Master Plan (pages 63-76) William Cochrane was the designer of the Baltimore Street Redevelopment Project. He proposed a quiet mural, pattern or artistic cladding for the exterior of 100 Baltimore Street, on the Liberty Street side, in his public art masterplan (see attached). In it he wrote, "For artworks to transform plain building facades in historic areas, an inspired and deft touch is required. Visual dominance is not..A quiet mural, a pattern mural or artistic cladding that transforms this exterior. into an elegant, interesting landmark and creates a conversation between the present and the past can add greatly to Baltimore Street..Murals may take a simple pattern approach with interesting colors and forms that echo the familiar patterns of the built environment". City of Cumberland Code 25-302 (Powers and Duties of Arts Commission) The arts commission shall advise the mayor and city council on matters pertaining to artwork. The term artwork" as used in this division shall include, without limitations, paintings, murals, stained glass, sculptures, bas-reliefs, monuments, fountains, arches or other. structures of a permanent or temporary character intended. for ornament or commemoration or any: such graphic display as may be incorporated into the design and construction ofi improvements deemed to illustrate historical, tribal, cultural or artistic impression on public and private property in the City of Cumberland Arts and Entertainment District. Mid-Century Modern Commercial Storefront The traditional storefront on the archetypal American "Main Street" changed dramatically during the 20th century due to innovations in building construction and retail marketing. In the 19th century, the ground floor of commercial buildings was often framed by a series of cast-iron structural columns supporting masonry walls that shaped the interior. Millwork outlined display windows and entrances, the primary features of the façade; signage, though present, was not yet well integrated with the structure. Innovations in building material categories like glazing and metal façades, along with changes in consumer marketing tactics, changed this, facilitating the rise of modern design. For many Americans, the downtown storefront might have been their first exposure to the modern design movement that began in Europe and swept across the U.S. in the 1930s. This design transformation was aided by the marketing support of major manufacturing companies, particularly those producing glazing and other storefront products. PadhpiNsanwmeemRaNRA The period following World War II was an optimistic, forward-looking time in American popular culture. The architectural style of this time period is known as Mid-century Modern. Designers embraced the optimistic spirit of the time, experimenting with the newest technologies and materials in building, and incorporating "futuristic" elements. Mid-century Modern design used sleek, simplified geometry and nonsymmetrical and angular planes. Focade is composed of lorge areas ol glanrg Size and locaton dramatic, geometi ic forms with minimd framing ofsignage odresses such as the horizontal conopy qulomobiles AB, la Brothers ar the comer of Cotman and Castor Avenues, 7954 Source: Ciry of Philodeiphia Deparmenn of Records As commercial areas became increasingly auto-oriented, businesses sought to grab the attention of passing drivers with increasingly eye-catching signage and storefront design. However, they also considered the pedestrian experience, with large windows that allowed pedestrians a full view into the store, and generous canopies that provided shade on the sidewalk. Mid-century Modern architecture is just now being recognized for its architectural and historic merit. Because designers ofi this time period were focused on the use of new, modern technologies and looking towards the future, the Mid- century Modern style is completely distinct from earlier styles more traditionally thought of as historic. As a result, this style has often been underappreciated and overlooked, and many fine examples have been altered or destroyed. Now, the Mid-century Modern style is increasingly being recognized as unique, innovative, and emblematic of its own time. Mid-century Modern design is characterized by smooth, simple geometry and intersecting angular planes. While architecture of earlier eras tended to use small, embellished details, modern design favored large, smooth surfaces and sharp angles. Curved elements were sometimes also used to break up the otherwise linear geometry of the design. Materials used in Mid-century Modern facades were typically modular. Mid-century design embraced elements that could be pre-fabricated and assembled on site, such as bricks, curtain walls and tiles. These modular materials add another layer of geometry to the design of facades. Mid-century Modern storefronts are usually asymmetrical, with angled walls guiding the visitor towards the entrance. While storefronts of earlier eras tended to have a central entrance with symmetrical windows on each side, modern storefronts usually have an entrance placed asymmetrically. ALy Honys Designers embraced new technologies such as the manufacturing of plate glass and pre-fabricated parts, which allowed for new types of windows in modern buildings. Two main types of windows are most emblematic of this period: plate glass windows and curtain wall construction. Plate glass windows are smooth, large, uninterrupted windows that could extend floor-to-ceiling. This new "open front" style allowed complete visibility into the store, putting the whole store on display instead of just a small window area. Curtain wall construction consists of vertical windows with mullions that utilized the modern technology of pre-fabrication for easy assembly. These windows create a very regular geometric pattern in the appearance of a facade. These window types, and others from this era, are fixed (the glass cannot be opened or moved) and create a smooth, geometrical appearance. -SHOES ECTLO OLYMPIAN - The post-World War II building style was influenced by everything from the proliferation of automobiles to new building materials and even the threat of nuclear war. 544g 54 KLGRENG CO, e a S N 3 G 3 * 3 2 & 5 * $ A % % C Example of how a large banner, being used as a mural, was installed on a historic building 3/6/25, 10:33AM Permit Details Citizenserve City of Cumberland - Dept. of Community Development Internal Routing. Sheet Permit or Review #: COA25-000011 Permit or Review Type: Certificate of Appropriateness Project Location: 100 BALTIMORE ST CUMBERLAND, MD 21502 Applicant Contact Information: Name: James Weir Address: 100 Baltimore St City/State/Zip: Cumberland MD 21502 Phone: 3017777277 Email: cong@atimcand Contractor Contact Information: Company Name: Lachary Construction and Welding Services, LLC Contact: Address: 11910 Homewood Street NW City/State/Zip: Cumberland MD 21502 Phone: 3043034525 Email: conwe-ding@gmail.com Date of 03/05/2025 Application: Work Description: (narrative box) Mural of George Washington painted on aluminum panels and installed with anchors on brick wall. Faces Baltimore Street Amount Paid: 30.00 Amount Due: 0.00 "-s---Aww---CDANHTRNMONZDeN 1/1 City of Cumberland DAdministrative Review a HP Commission Review Department of Community Development . 57 N. Liberty Street - Cumberland, MD 21502 . www.cumberlandmdgoy Ruth Davis Rogers, Historic Preservation Planner . 301-759-6431 . ruth megeeaumteinandew CERTIFICATE OF APPROPRIATENESS PERMIT APPLICATION AND/OR REQUEST FOR CHANGE AMENDMENT RELATED TO AN EARLIER COA (WITHIN 2 YEARS) This application is required for ALL exterior work on properties that are located within the Canal Place Preservation District zoned historic district). The application will be reviewed by the Historic Preservation Commission. Examples include additions, (Cumberland's alterations, locally roofs, doors, painting, porches, fences, siding, signage, window replacement, demolition, and new construction. Please note that you do not awnings, need to separately submit this form if you are entering your request through the City of Cumberland's Online Permit Portal - accessed at damtatimimlansarommatspauboemet Ify you do not already have a portal account, you will need to create one and then use the same account for any future permit/review applications, rental licenses, and pavilion reservations. please Project Address: 100 Baltmorc Strat Tax ID # The Tax ID! # can be found ony your tax bill or by visiting www.datstate.md.us) / Real Property /F Reai Property Search. Ify you are using the searchi function to selecty your property account number. When construction is being done and several property account numbers arei permit portal, you may use the under the account of the main: structure referencing other accounts (or a separate permit will be required per each property of record). involved, permit must be entered COA # RCA # Application Date 3-5-2035 Applicant Name Jim Neir Phone 30- 777-7277 Applicant Address (if different than project address) 100 Baliarc Shveet Fax Email GWeow qf4se alleahchha.ait Contractor Name (If applicable) Rachary Coastvction Phone 304-303-495 Contractor Address 119lo Howranod S+ Nw, Cumbenland Email Summarized Description of Project (please add extra pages, if needed), Mural dP George Washing hoA instsiled wha removsbl ponels. Naa-permekaat no domage to boilding Faces Belimort Shrel Attach a full written scope of work Use reverse side or attach additional pages, if needed e Attach photographs of the site and structure As it pertains to the application/project scope of work, include the following and consult with HPC staff if you require assistance (please note that all of the following might not pertain to your application): Façade Elevations Digital Renderings, when available Sample of Proposed Materials Color Scheme/Paint Chips Scaled Drawings Manufacturer's Cut-Sheets or Product Specifications Provide one (1) complete original copy of all supplementary materials (in hardcopy if applying in person; upload digitally if using the portal). Paya non-refundable Certificate of Appropriateness review fee of $30.00 - payable at time of application either in person or online. Apply for any relevant Building, Sign, and Occupancy Permits through the City (fees apply) The HPC meets the second Wednesday of each month and complete applications are due the first Wednesday of each month before 4:00 p.m. You (or a representative) are required to attend the meeting scheduled for your COA review. Preservation Guidelines can be found on the City of Cumberland website at www.cumbetlandmdgol. Navigate to Historic Preservation Commission and then to Revised Guidelines. To apply online go to dtaememecon/Cuamberiend An HPC brochure is available Do not begin work until written approval is received from HPC Staff, and; ifthe project requires additional building, sign, or occupancy permits, all applicable permits must also have been applied for separately and then approved by the Code Compliance Manager or designated representative. Scope of Work A large historic mural will be installed using aluminum panels drilled into the mortar of the wall. No damage to facade will be done. Mural is non permanent and completely removable. The paint used is the highest quality exterior paint: mold proof, scuff proof, weather resistant, fade resistant, and uV protected. The proposed work is entirely appropriate. This is a project previously requested by the Allegany arts council, and has been in planning for many years. The artist Elijah Thane was handpicked for fulfillment of this project due to his outstanding reputation as a professional artist and unmatched quality of work. Auesome GIFTS &3 COLLECTIBLES COINS - STAMPS To whom it may concern. IJames Weir on the 5th. Day of March 2025 give my permission to Elijah Thane to paint any part or all ofthe building that I own at 100 Baltimore Street Cumberland, Md. I also give my permission to Elijah Thane to vote on my behalf on any thing pertaining to painting on 100 Baltimore Street. W - / / / N9 19 e / Ne - 3 OEEID A PIAECE EPATE JA A 1 - - Haw O :S : 1 da . Certificate of Appropriateness Application Presentation of Information/Staff Report COMMISSIO 0) By Ruth Davis Rogers Congress established the National Historic Preservation Act (NHPA) in 1966, which mandates the active use of historic buildings for public benefit and to preserve our national heritage. Cultural resources, as identified in the National Register of Historic Places, include buildings, archeological. sites, structures, objects, and historic districts. The surrounding landscape is often an integral part of a historic property. Not only can significant archaeological remains be destroyed during the course of construction, but the landscape, designed or natural, may be irreparably damaged, and caution is advised whenever. major physical intervention is required in an extant building or landscape. COA25-000011 Address: 100 Baltimore Street (Mural of George Washington Facing Baltimore Street) Project Contact: Building Owner, Jim Weir Artist, Elijah Thane Project Summary: This project involves the installing a large painted mural (16' x 50') on aluminum panels attached to the exterior brick wall, over the front entrance and facing Baltimore street, with anchors mounted/drilled into mortar. This type of installation is to allow panels to be removable but not allow damage to the building (see attached pictures and scope of work). Property Description: This building is located in the Downtown Cumberland Historic District, on Baltimore Street. This District is listed on the National Register of Historic Places and, in addition to being recognized as a historic district at the Federal level, is also recognized as a historic district by the State of Maryland and the City of Cumberland. Baltimore Street is the heart of Cumberland and gains its significance from both its architecture and the history of its commercial development. Architecture is art for the masses. These buildings consist of a broad array of significant architectural styles dating from 1840's - 1970. This structure is one of Cumberland's early mid-century modern commercial buildings, built in 1960 (by Leon Levitz of the Levitz Furniture empire), and contributes to the historic downtown district. Its design tells the story of our changing downtown and the dedication of building owners to keep the pace with modern times. Staff Summary: For decades, Baltimore Street was a vibrant hub of commerce, attracting shoppers, residents, and day-trippers to Downtown Cumberland. In November 2024 this historic street celebrated its grand reopening following an extensive two-year, 17-million-dollar, renovation. The project now features broader sidewalks, added green spaces, and a reintroduction of vehicle and bicycle traffic. This redesign signifies a major milestone in Cumberland's continuing revitalization efforts aimed at boosting business investment and fostering new growth in the area. Facades are a crucial element to consider when making changes to buildings within a historic district, as they represent the primary visual face of a building and significantly contribute to the overall aesthetic and character of the neighborhood. While William Cochrane, the designer of the Baltimore Street Redevelopment Project, advised that a mural be placed on the N. Centre Street side of 100 Baltimore Street, he recommended a quiet" mural. The proposed mural in this application is facing Baltimore Street and is not quiet. It demands attention and overwhelms the streetscape. It is not compatible with the subject property or the surrounding district due to the fact it compromises the exterior facing front of this mid-century modern building and does not blend in and compliment the other buildings on Baltimore Street. Understanding Mid-century Modern Design. The traditional storefront on the archetypal American "Main Street" changed dramatically during the 20th century due to innovations in building construction and retail marketing. The architectural style of this time period is known as Mid-century Modern. Designers embraced the optimistic spirit oft the time, experimenting with the newest technologies and materials in building, and incorporating futuristic" elements. Mid-century Modern design used sleek, simplified geometry and nonsymmetrical and angular planes. Because designers of this time period were focused on the use of new, modern technologies and looking towards the future, the Mid- century Modern style is completely distinct from earlier styles more traditionally thought of as historic. As a result, this style has often been under-appreciated and overlooked, and many fine examples have been altered or destroyed. Now, the Mid-century Modern style is increasingly being recognized as unique, innovative, and emblematic of its own time. Mid-century Modern design is characterized by smooth, simple geometry and intersecting angular planes. While architecture of earlier eras tended to use small, embellished details, modern design favored large, smooth surfaces and sharp angles. Materials used in Mid-century Modern facades were typically modular. Mid-century design embraced elements that could be pre-fabricated and assembled on site, such as bricks, curtain walls and tiles. These modular materials add another layer of geometry to the design of facades. Mid-century Modern storefronts are usually asymmetrical, with angled walls guiding the visitor towards the entrance. While storefronts of earlier eras tended to have a central entrance with symmetrical windows on each side, modern storefronts usually have an entrance placed asymmetrically with large windows that allowed pedestrians a full view into the store Applicable Guidelines this Recommendation is Based Upon: City of Cumberland Code 25-302 (Powers and Duties of Historic Preservation Commission) The commission shall adopt rehabilitation and new construction design guidelines for designated landmarks, sites, structures, and districts which are consistent with the Secretary of the Interior's Standards for Rehabilitation. Guidelines may include design characteristics intended to meet the needs of particular types ofsites, structures, and districts, and may identify categories of changes that are sO minimal in nature that they do not affect historic, archeological, or architectural significance and require no review by the commission. These guidelines shall be utilized by the commission in its review of applications. City of Cumberland Historic Preservation Design Guidelines These guidelines are based upon the spirit of and influenced by the Secretary of the Interior Standards for Treatment of Historic Properties eae.At Identifying, retaining, and preserving storefronts, and their functional and decorative features, is important in defining the overall historic character of the building. GUIDELINE 7: The historic material found on the exterior walls of a building is a character-defining feature and should preserved, maintained, repaired, rehabilitated and restored whenever feasible. GUIDELINE 37: Maintain and restore those. features which characterize commercial buildings, including historic storefronts, transoms, sign boards, kick plates, upper. story windows, cornices, and overall ornamentation. b. Do not add arbitrary ornamentation that was not part of the historic design or early alterations of the building. William Cochrane's Public Art Master Plan (pages 63-76) William Cochrane was the designer of the Baltimore Street Redevelopment Project. He proposed a quiet mural, pattern or artistic cladding for the exterior of 100 Baltimore Street, on the Liberty Street side, in his public art masterplan (see attached). In it he wrote, "For artworks to transform plain building facades in historic areas, an inspired and deft touch is required. Visual dominance is not...A quiet mural, a pattern mural or artistic cladding that transforms this exterior into an elegant, interesting landmark and creates a conversation between the present and the past can add greatly to Baltimore Street..Murals may take a simple pattern approach with interesting colors and forms that echo the familiar patterns of the built environment". City of Cumberland Code 25-302 (Powers and Duties of Arts Commission) The arts commission shall advise the mayor and city council on matters pertaining to artwork. The term 'artwork" as used in this division shall include, without limitations, paintings, murals, stained glass, sculptures, bas-reliefs, monuments, fountains, arches or other. structures of a permanent or temporary character. intended for ornament or commemoration or any such graphic display as may be incorporated into the design and construction of improvements deemed to illustrate historical, tribal, cultural or artistic impression on public and private property in the City of Cumberland Arts and Entertainment District. Mid-Century Modern Commercial Storefront The traditional storefront on the archetypal American "Main Street" changed dramatically during the 20th century due to innovations in building construction and retail marketing. In the 19th century, the ground floor of commercial buildings was often framed by a series of cast-iron structural columns supporting masonry walls that shaped the interior. Millwork outlined display windows and entrances, the primary features of the façade; signage, though present, was not yet well integrated with the structure. Innovations in building material categories like glazing and metal façades, along with changes in consumer marketing tactics, changed this, facilitating the rise of modern design. For many Americans, the downtown storefront might have been their first exposure to the modern design movement that began in Europe and swept across the U.S. in the 1930s. This design transformation was aided by the marketing support of major manufacturing companies, particularly those producing glazing and other storefront products. Peadheme-sanNwA The period following World War II was an optimistic, forward-looking time in American popular culture. The architectural style of this time period is known as Mid-century Modern. Designers embraced the optimistic spirit of the time, experimenting with the newest technologies and materials in building, and incorporating "futuristic" elements. Mid-century Modern design used sleek, simplified geometry and nonsymmetrical and angular planes. focode is composed of large areas ol glazing Size and locotion dromotic, gaomeric forms with minimal fiaming olsignage odresses such as the horizontol canopy aulomobiles AR (Brothers at the comer of Colman and Castor Avenues, 1954 Source: City ob Philadelphia Deparment of Records As commercial areas became increasingly auto-oriented, businesses sought to grab the attention of passing drivers with increasingly eye-catching signage and storefront design. However, they also considered the pedestrian experience, with large windows that allowed pedestrians a full view into the store, and generous canopies that provided shade on the sidewalk. Mid-century Modern architecture is just now being recognized for its architectural and historic merit. Because designers of this time period were focused on the use of new, modern technologies and looking towards the future, the Mid- century Modern style is completely distinct from earlier styles more traditionally thought of as historic. As a result, this style has often been underappreciated and overlooked, and many fine examples have been altered or destroyed. Now, the Mid-century Modern style is increasingly being recognized as unique, innovative, and emblematic of its own time. Mid-century Modern design is characterized by smooth, simple geometry and intersecting angular planes. While architecture of earlier eras tended to use small, embellished details, modern design favored large, smooth surfaces and sharp angles. Curved elements were sometimes also used to break up the otherwise linear geometry of the design. Materials used in Mid-century Modern facades were typically modular. Mid-century design embraced elements that could be pre-fabricated and assembled on site, such as bricks, curtain walls and tiles. These modular materials add another layer of geometry to the design of facades. Mid-century Modern storefronts are usually asymmetrical, with angled walls guiding the visitor towards the entrance. While storefronts of earlier eras tended to have a central entrance with symmetrical windows on each side, modern storefronts usually have an entrance placed asymmetrically. AL Hous Designers embraced new technologies such as the manufacturing of plate glass and pre-fabricated parts, which allowed for new types of windows in modern buildings. Two main types of windows are most emblematic of this period: plate glass windows and curtain wall construction. Plate glass windows are smooth, large, uninterrupted windows that could extend floor-to-ceiling. This new "open front" style allowed complete visibility into the store, putting the whole store on display instead of just a small window area. Curtain wall construction consists of vertical windows with mullions that utilized the modern technology of pre-fabrication for easy assembly. These windows create a very regular geometric pattern in the appearance of a facade. These window types, and others from this era, are fixed (the glass cannot be opened or moved) and create a smooth, geometrical appearance. SHOES En OLYMPIANT - The post-World War II building style was influenced by everything from the proliferation of automobiles to new building materials and even the threat of nuclear war. 544g 54 HLGNEHCN e S G 3 3 9 a - a > - - - 5 - - C C 6 Example of how a large banner, being used as a mural, was installed on a historic building